THE CHERRY ORCHARD to Play at Greenwich Playhouse, 3/30-4/25

Greenwich playhouse presents THE CHERRY ORCHARD by Anton Chekhov

Directed by Bruce Jamieson; Produced by Alice de Sousa; Set Design by Sara Gianfrate; Costume Design by Eleanor Wdowski;
Lighting Design by Robert Gooch; Presented by Galleon Theatre Company Ltd.

DATES: 30th March - 25th April 2010
Tues-Sat @ 7.30pm - Sun @ 4pm
PRESS NIGHT: Thursday, 1st April 2010 @ 7.30pm
Tickets: £12, £10 (concs.)
Box Office: 020 8858 9256 - boxoffice@galleontheatre.co.uk

VENUE: GREENWICH PLAYHOUSE, Greenwich Station Forecourt,
189 Greenwich High Road LONDON SE10 8JA
www.galleontheatre.co.uk

"Galleon has found the perfect intimate space in which to pull
us right into Chekhov's milieu." - The Independent

Following two exceptional decades of presenting internationally acclaimed theatre, Galleon Theatre
Company (resident at the Greenwich Playhouse) celebrates the one hundred and fiftieth anniversary of
Chekhov's birth with an elegant production of his last play.

Anton Chekhov (1860-1904) was born in Russia and went on to be regarded one of the country's most celebrated writers. Few playwrights have had a more remarkable impact on theatre than Chekhov and his five full length plays have undisputedly secured his place alongside the world's greatest dramatists. He also wrote farces, comic sketches, one-act plays, made regular contributions as a journalist and is considered to be one of the most renowned short story writers in the history of the world of literature.

Chekhov qualified as a doctor in 1884 and always viewed this to be his main profession. However, he prospered little by it as he frequently treated the poor free of charge. He is quoted to have said: ‘Medicine is my lawful wife and literature my mistress'.

In 1887, a theatre manager commissioned Chekhov to write a play and the result was Ivanov; which was written in a fortnight and staged in November of the same year. Although the play was a success and praised as a work of great originality, Chekhov did not enjoy the initial experience of writing for the stage; and after the disastrous opening night of The Seagull in 1896 (successfully revived in 1898 by Stanislavski), Chekhov renounced the theatre. However, the stage and his life were permanently intertwined and three more plays were to follow and seal his reputation: Uncle
Vanya, published in 1899 and performed in 1900; Three Sisters, written 1900 and first produced in 1901; and The Cherry Orchard, his final play premièred at the Moscow Art Theatre on the 17th January 1904, and like the previous under the direction of Stanislavski.

"This studio-sized venue has been put on the cultural map with productions of epic quality."
- South London Press

The Cherry Orchard opens with the return of an aristocratic Russian woman and her family to their estate, which includes a large cherry orchard, and just before it is auctioned to pay the mortgage. Even though, they are presented with opportunities to save their home the family fail to act and the play ends with the property being sold to the son of a former serf, and with them leaving to the sound of the cherry orchard being destroyed.

The Cherry Orchard exposes both the failure of the aristocracy to maintain its status and the ineptitude of the bourgeoisie to find a purpose within their newly found materialism. The play further reveals the socio-economic forces at work in Russia at the turn of the 20th century, such as the rise of the middle classes after the abolition of serfdom (mid-19th century) and the annihilation of the aristocracy.

The Cherry Orchard is Chekhov's most autobiographical play as it resembles the author's own financial and domestic
troubles. It further echoes Chekhov's love of the land and his passion for his own cherry orchard, which after
returning to Yalta where he had gone due to ill heath; he was devastated to find cut down by its new owner.

The Cherry Orchard shares familiar social and political themes with the writer's earlier plays but above all it is pertinent to contemporary environmental issues because its concern with industrial deforestation. This led to Chekhov being regarded one Europe's first significant ecological writers.

"Forests keep disappearing, rivers dry up, wild life's become extinct, the climate's ruined and the land grows poorer and uglier every day'. - Uncle Vanya

The Cherry Orchard is elegantly designed by a very experienced design team; performed by a talented cast of twelve actors (full cast to be announced shortly) and presented Galleon Theatre Company, which has been staging acclaimed theatre for the last twenty years. Amongst a uniquely diverse repertoire which includes quality new writing, full scale musicals, World Premières of neglected European writers and large cast revivals of the classics, Galleon has previous presented productions of Chekhov's The Seagull (1996 and again in 2005); The Cherry Orchard (1997); and
3 Sisters (2002).

The Cherry Orchard is creatively spearheaded by a very experienced and award winning team.

The Director: BRUCE JAMIESON has previously directed nearly thirty highly successful Galleon theatre productions and played leading roles in some sixty stage plays. As an actor, his television and film credits include The Oxford Murders (Odeon); Murphy's Law (Tiger Aspect); Monarch of the Glen (Ecosse); Ali G-Inda House (Universal); Roughnecks (BBC); In Suspicious Circumstances (Granada); Crime Solver (BBC); and Spongebob (BBC). He is the co-founder of the Greenwich Playhouse, Galleon Theatre Company and Galleon Films.

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